With Carol, Todd Haynes cements his place as his generation’s Douglas Sirk, the master of decorous, ravishing melodramas focused on the plights of women, their interior lives manifesting in heightened visual splendor and the weight of the world pressing them down.
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January 2016
I’ve already covered my favorite films that came out in 2015. But that is only half the story. First-watches are at least as important, and probably more so.
Here are some of the films that meant the most to me that I saw this year, regardless of when they came out.
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