Many silent classics, and much art more generally, have drawn on the oldest tales, mining the legacies of myth and the commonalities of familiar narratives to present them anew. Ursula Le Guin writes, “That is the gift the great storytellers have.
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In 1928, following the one-two punch of his celebrated U.S.-made releases Faust and Sunrise, and four years after he made The Last Laugh for UFA, the great German director F.W. Murnau predicted that the “films of the future will use more and more of these camera angles, or, as I prefer to call them, these dramatic angles.
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