Love Streams

One of the enduring mysteries of Cannon Films’ brief, spectacularly absurd success in the 1980s – aside from whether Sly Stallone’s character in Over The Top is named “Lincoln Hawk” or “Lincoln Hawks”, and which name would be dumber in the first place – is how the Golan-Globus group managed to crank out so much drivel while still laying the groundwork for genuine masterpieces.

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